Open Call 2026

Application Details:

TWO exceptional artists will be selected to receive a one-time, unrestricted grant of $3,000 and studio space support for a four-week residency in New York at our cultural partner - The Elizabeth Foundation for the Arts studio program. Artists are responsible for all additional expenses, including but not limited to housing, travel, and materials. 

The selected artists will automatically become members of the foundation, with their artworks prominently featured on the foundation's website, as well as across various marketing channels and printed materials.

Eligibility

Open to artists aged 25 and older, regardless of their background or discipline. 

Required Materials

  1. Resume in PDF format

    Saved as “lastname_firstname_Resume” (e.g., Jane_Doe_Resume). Include details of your artistic experience and educational background.

  2. Artist Statement (250 Words Max)

    A succinct overview of your artistic practice. This statement should introduce the core ideas, themes, and methodologies that characterize your work. Discuss how and why you create, emphasizing the concepts and inspirations pertinent to the samples you are submitting.

  3. Cultural Statement (Optional, 250 words max)

    This supplemental statement allows you to elaborate on how your work is connected to a specific cultural practice, tradition, or community. You may also share how your artistic endeavors are influenced by your culturally-specific lived experiences.

  4. Portfolio 

    5-8 high-resolution images of your recent work completed within the past TWO years. We encourage the inclusion of pieces that have not been previously exhibited. 

    Important Guidelines:

    - Exclusions: Do not submit works that have received other prizes or fellowships.

    - Image Format: All images must be in JPEG format, with a maximum file size of 3MB or 1500 pixels in any dimension.

    - Video Works: For video submissions, provide a document with a link to a video no longer than 5 minutes, along with 4 accompanying images.

    - Please include a list of your works in PDF that provides the title, date, medium, and dimensions (or video duration for video works) for each piece.

  5. Project Proposal (500 words max)

    Please provide a detailed outline of a specific project you plan to develop if awarded funding. Your proposal should include the project's concept, objectives, anticipated timeline, and expected outcomes. 

Review Progress

The selection will be conducted by an independent jury to ensure fairness and integrity in the award process. Applications are reviewed over the course of two phases:

  • Phase 1: The jury will conduct an independent review of assigned applications.

  • Phase 2: The jury will convene to collectively discuss and finalize the selection of award recipients from the applications that advance to this stage.

 The jury will assess applications based on the following criteria:

  • Artistic Merit: Applications demonstrating excellence through strong submitted work will highlight creativity, technical skill, and overall artistic vision.

  • Clarity and Cohesiveness: A competitive application will present clear and compelling statements that provide insights into the artist’s practice and motivations, complementing the submitted work.

  • Originality and Innovation: Applications should showcase innovative methods and concepts that distinguish their work within the discipline, including the quality of execution and the impact of the overall presentation.

Applications must be submitted by 11:59 PM EDT on April 13, 2026. Late submissions will not be accepted. All applicants will receive an automatic confirmation email upon completing their application.

Results are expected to be announced by June 15, 2026, and only awarded artists will receive notifications via email. We appreciate your understanding and ask that you refrain from contacting the office before this date or if you do not receive a notification by then. Thank you!

No application fee required.

2026 Selection Committee

Lorraine and Alan Bressler Curator of Contemporary Art at the Museum of Fine Arts Boston

CARMEN HERMO

  • Carmen Hermo is the Lorraine and Alan Bressler Curator of Contemporary Art at the Museum of Fine Arts Boston. She co-curated the exhibitions Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude (April 3 - August 2 2026), Counter History: Contemporary Art from the Collection and other collection presentations, as well as The Banner Project: Mark Thomas Gibson. Previously, she was Associate Curator for the Brooklyn Museum’s Center for Feminist Art, where she curated María Magdalena Campos-Pons: Behold (2023–25), Baseera Khan: I Am an Archive (2021); Kameelah Janan Rasheed: Are We Reading Closely? (2020); Roots of “The Dinner Party”: History in the Making (2017); and formed part of the curatorial collective for Nobody Promised You Tomorrow: Art 50 Years After Stonewall (2019), among other exhibitions.

    Carmen has also worked as the Assistant Curator for Collections at the Guggenheim Museum, and with the collections of the Whitney Museum of American Art and the Museum of Modern Art. Carmen received her B.A. in art history and English from the University of Richmond and her M.A. in art history from Hunter College.ption text goes here

ELENA KETELSEN GONZÁLEZ

Associate Curator at MoMA PS1

  • Elena Ketelsen González is a curator, researcher, and educator. She is currently Associate Curator at MoMA PS1, where she is part of the curatorial team for the museum’s 50th-anniversary exhibition, Greater New York (2026). At PS1, she has conceptualized and organized activations of Homeroom, a space dedicated to community-based collectives and grassroots organizations, including Malikah (2023) with Rana Abdelhamid and Nuevayorkinos: Essential and Excluded (2022) with Djali Brown-Cepeda.


    Her recent solo exhibitions at PS1 include Sandra Poulson: Este cuarto parece uma república (2025), Regina José Galindo: Tierra (2024), and Leslie Martinez: The Fault of Formation (2023). Previously, she held programming and curatorial positions at the Whitney Museum of American Art, the Museum of the City of New York, and Gracie Mansion Conservancy. Her recent writing has appeared in publications for the Museu de Arte de São Paulo (MASP), the 60th Venice Biennale (2024), TEOR/éTica (2024), and the Flow States–LA TRIENAL 2024 catalog at El Museo del Barrio.

2025 OPEN CALL

Artists Now Award Recipients

Melissa Joseph

Zain Alam

Whitney Allison Oldenburg

2025 Selection Committee

David Max Horowitz

Associate Curator, Collections at the Guggenheim Museum

  • David Max Horowitz joined the curatorial staff in 2015 and specializes in postwar art and the histories and legacies of abstraction. He was the curator of Jean Dubuffet: Ardent Celebration (Guggenheim Bilbao, 2022) and Marking Time: Process in Minimal  Abstraction (2019–21), as well as the co-curator of R. H. Quaytman + ×, Chapter 34 (2018–19). He served on the curatorial teams for Hilma af Klint: Paintings for the Future(2018– 19), Guggenheim Collection: Brancusi (2017–21), Agnes Martin (2016–17), and Guggenheim Collection: Early Modernism (2016–2017).

    Horowitz’s writing has been featured in the catalogues Kandinsky’s Universe: Geometric Abstraction in the 20th Century (2025), Harmony and Dissonance: Orphism in Paris, 1910–1930 (2024), Hilma af Klint (2024), Alex Katz: Gathering (2022), Joan Mitchell (2021), and Hilma af Klint: Paintings for the Future (2018), as well as in the revised edition of Guggenheim Museum Collection: A to Z (2019). He works closely on the stewardship of the collection and is one of the organizing curators for the Young Collectors Council. 

Nathalie Anglès

Executive Director and Co-founder of Residency Unlimited (RU)

  • Nathalie Anglès is the Executive Director and co-founder of Residency Unlimited (RU). Having studied history and political science as an undergraduate, Anglès was selected for the prestigious year-long École du MAGASIN curatorial independent studies program affiliated to Le MAGASIN, Centre National d'Art Contemporain in Grenoble (France).

    Before founding Residency Unlimited in 2009, Anglès worked in a wide range of curatorial and administrative capacities in institutions including Sotheby's London, Impressionist and Modern art department; in Paris at The American Center, École nationale supérieure des beaux-arts (ENSBA) and Union centrale des Arts décoratifs (UCAD).

    Anglès’ first experience with artist residencies began at the Frank Gehry designed American Center in Paris where she managed residencies for US based artists. In 2000, she moved to New York and worked as Director of the international residency program at Location One. In 2008, Anglès was awarded the French government distinction Chevalier de l'Ordre des Arts et des Lettres (The Order of Arts and Letters).

The Eden Arts Foundation info@theedenartsfoundation.org